There are countless ways to make a balm. You can begin with ingredients. With recipes. With scientific studies. With tradition. We begin somewhere else. We begin with a place. ARKAIA was born from the belief that places hold memory. Not simply history, but presence. A quiet energy that remains long after those who walked the land before us are gone. Across Sardinia, ancient sacred wells, nuraghes, Domus de Janas and stone circles still shape the landscape. For thousands of ye

A sound bath dedicated to the New Moon in Gemini, recorded at the ancient thermal springs of Casteldoria on the Fiume Coghinas, Sardinia. Aaron Southorn's titanium gongs meet Pasquale's crystal singing bowls.

A sound bath session recorded at the Tomba dei Giganti di Pascaredda near Calangianus, Sardinia. Crystal singing bowls and didgeridoo by Mario Uda. Full session releasing end of June.

Torre del Porticciolo, Sardinia · May 2026 · Blue Moon in Scorpio · Sound Bath Once every two to three years, the moon turns blue. We were ready for it. A Blue Moon in Scorpio — the second full moon of the month, arriving at the furthest point from Earth in its orbit. Rare in every sense. When we found Torre del Porticciolo, a watchtower on the northwestern coast of Sardinia standing at the edge of the sea, we knew we had found the right place to welcome it. The decision to f

The following text was written by Rudolf Wagner — healer, author and founder of Naturkraft Werkstatt (naturkraftwerkstatt.at). His work sits at the intersection of nervous system health, energetic regulation and ancestral knowledge. We came across this piece and felt it speaks directly to the heart of what sound baths do — not as a technique, but as a remembering. We are sharing it here in full, translated from the original German, with full attribution as permitted by the au

Why do certain places affect us so deeply? And why does Sardinia seem to contain an unusually high number of ancient sites connected to stone, water and specific points in the landscape? These are some of the questions explored during this conference recorded in Bulzi, a small village in northern Sardinia. The evening brings together different perspectives connected to radiesthesia, ancient knowledge and the energetic characteristics of the island. Among the speakers are Maur

This session felt different from the beginning. Dalila Ibba joined us again with the harp, and the combination with the open landscape created something unusually clear and direct. The Place We recorded this session on the slopes of Monte San Lorenzo, near Nulvi in northern Sardinia. An elevated area with wide exposure, open views and traces of ancient Nuragic structures scattered across the landscape. From the higher points, the view extends toward the sea and the island of

This session was recorded at the Tomba dei Giganti di Iloi, near Sedilo in the center of Sardinia. A megalithic site built thousands of years ago, composed of massive stone blocks arranged to form a long, open chamber. These structures are often associated with collective rituals and a connection to the ancestors. There is a particular quality to this place. Not something you need to interpret. Something you feel. Before You Listen Before the session begins, this short introd

There is a difference between treating the skin and supporting it. In many cases, the skin does not need more. It needs less. Less interference. Less complexity. Natural balms follow a different approach. They do not try to correct or override. They work with what is already there. The Role of Plants Plants have always been part of how we care for the body. Not as products. But as simple, direct elements. Oils, resins, and extracts carry properties that interact with the skin

This session was recorded on Monte Alma, in northern Sardinia. An open landscape, exposed to wind and light.Wide space. No boundaries. The Place There is a different quality to elevated places. The air feels lighter.Sound travels further. Nothing is contained. Each tone moves outward, carried by the open space around it. Two Elements This session combines crystal singing bowls with a shamanic drum. Two very different forms of sound. The bowls create a wide and continuous fiel

There are places that don’t ask to be understood. They don’t tell a story.They don’t explain themselves. They simply exist. Somewhere in the north of Sardinia, stones lie scattered across the land.Not arranged. Not marked. Just there. Exposed to wind, sun, and time. The Quiet Presence of Ancient Places These places don’t feel ancient in the way history describes them. They feel present. As if nothing has really passed.As if everything is still happening. There is no need to

There are places where silence is not empty.It holds something.Something that has been here long before us. At the edge of Sardinia’s northern hills, ancient stones rest under the open sky.No signs. No explanations. Just presence. This is where we recorded this sound bath. But ARKAIA is not about a single place.It is about something that connects them all. The Experience A sound bath is not music.It has no rhythm to follow, no melody to remember.It is a field of sound. Y